Thursday, February 13, 2014

Longbourn

Half-term starts tomorrow, and anyone looking for a good book to read over this period should seek out Jo Baker's Longbourn, new in paperback, especially those in VI and V currently studying Pride and Prejudice (and now in our Library, too).

Baker's idea is one of those that make you wonder why anyone didn't tackle it already: Pride and Prejudice seen from the perspective of the servants in the Bennet household (or, at least, as much of that story that actually impinges on them). And she writes very well, capturing the texture of everyday life vividly.  This book, apart from being a very enjoyable read, will also be valuable in prompting thoughts about Cultural Context for those preparing for the Leaving Certificate, and there are fresh thought-provoking ideas about several characters in the original novel.  In some reviews, Downton Abbey has been mentioned: ignore this, since apart from the anachronism, this is a wholly superior piece of work. It could valuably be read alongside another excellent piece of literature about Austen, John Mullan's What Matters in Jane Austen?

Sunday, February 09, 2014

Candide: the 2014 Junior Play

Over the last three nights, the Big Schoolroom was taken over by an excellent production of an adaptation of Voltaire's Candide. One of the visitors was our former Head of English, John Fanagan, and these are his thoughts:-


Ten years ago, in 2004, a major refurbishment of the Big Schoolroom took place, which gave a wonderful new lease of life to the nineteenth century building's use as a performance venue. The audience for this year's Junior Play, Candide, enjoyed a very creative and visually arresting use of the space. In the traditional stage area were banked rows of seating. Likewise on both sides of the Big Schoolroom. At the Cadogan end, and right down the centre, were the main acting areas. Ronan Swift and his fellow directors produced a fast-moving and highly enjoyable version of Voltaire's novel.


The central character, Candide, is hardly ever off the stage. Casting James O'Connor was a bit of a gamble: he is very young (I Form) and his voice is not as strong or developed as some others in the cast. However, as the performance unfolded, I became increasingly convinced. His (relative) youth emphasised the essential naivety and optimism of his character. He has a sympathetic stage presence and was very assured in a most challenging role. In the plot he was often at sea, but never in his acting.


There were more than twenty other young actors in the cast, the majority of them playing more than one role. Their versatility and easy transition from one character (and/or gender) to another were very impressive. The exotic costumes added to the spectacle, particularly on Mantuk Suen as the Sofi. Freddie de Montfort's roles as Dutch Citizen/Monkey/Prime Minister will give some idea of how they had to move from one extreme to another. There were some very strong performances among the single role characters. Aisling McBurney was a pert and coquettish Cunnigonde. After a quiet start, the role of the servant Cacambo was played with mournful authority by Ralph Sweetman-Sutton. Ross Magill had everyone in stitches as the Old Woman (imagine an eighteenth century Mrs Doyle from Fr  Ted). Michael Kennedy had the the scene at the start as Narrator mad a brief (but highly effective) cameo appearance later as Don Issachar.

The cast were roughly fifty-fifty boys-girls and some of the girls gave  especially confident performances: Darcy Maule as the Queen of Bulgaria and Elizaveta Kozhevnikova as Sergeant/Dervish come to mind. I was sitting  beside an Old Columban from the 1980s, Hugo Smythe, who was obviously enjoying his  daughter Louvisa (Soldier/King of Eldorado/Whip Master) as much as she was enjoying herself on stage. That enjoyment pervaded the production. They were all having the best time; I thought Mark Crampton (Baron)  might levitate, he was having such a ball. All of the cast will long remember participitating in such a lively and imaginative production.

Music and sound effects helped move the production along. I particularly enjoyed hearing Tristan Clarke's Sine Nomine choir making their contributions. When you look at all the pupils and staff involved, you realise what effort, on so many levels, went into this Candide. I would applaud the producers' ambition and the great pleasure they gave to cast and audience alike.

John Fanagan.

Saturday, February 08, 2014

TY Extended Essay: Childhood & Parenthood

In another in the series of excellent recent Transition Year Extended Essays, here is Darcy Maule's. She wrote on the theme of childhood and parenthood in three books, and explains in her introduction:

"The three books I chose for my extended essay are We Need to Talk about Kevin by Lionel Shriver, The Curious Incident of the Dog in the Night-Time by Mark Haddon and In the Blood; A Memoir of My Childhood by Andrew Motion. After completing all three of my books, I was very pleased with what I had chosen. I was fairly certain I wanted to read We Need to Talk about Kevin from the beginning as I had heard of it before and the whole concept of the book sounded so appealing to me for my essay that I had to read it. When I had established that I was reading this book, my theme was clear to me; childhood and parenthood. However it is a broad theme, I wanted to especially focus on the psychological aspect of the theme as it a subject that I have always been so curious about and thought that this essay was the perfect excuse to study this in depth through reading my books.

All three books are told in the first person narrative. We Need to Talk about Kevin is told from the point of view of the mother of a boy called Kevin who is the killer in a high school massacre. The Curious Incident of the Dog in the Night-Time is narrated by a boy called Christopher who has Asperger’s syndrome. The book is written in the most interesting way and includes maths puzzles, diagrams and pictures. In the Blood is an autobiography of the author, Andrew Motion’s childhood.
 

All three of the books are very different, but they are all about the same period; childhood. I thought that because they were so different it would be really interesting to compare them as childhood is such an important time in someone’s life. It shapes you to be the person you will become and it sets a base for your entire life. It truly is the most fascinating period of someone’s life as the amount you learn in your first 10 years or so of your life will be more than you ever will learn."

Read Darcy's full essay here.

Tuesday, February 04, 2014

Linguistic Analysis

We recently received a very helpful Comment on our system, and thought that classes might like to analyse it as a piece of writing. So here you go:-

TESTIMONY Hello my name is MONICA from United Kingdom, I never believe in love spells until I experience Dr.HOODOO, and after he cast a love spell for me, my Ex husband who left me and 2 of our kids for 3years called me to apologize for the pain that he has caused me and till today we are living a happy family, if you need a right place to solve your problems contact DR HOODOO is the right choice. he is a great man that have been casting spells with years of experience, and his spell is absolutely harm free. he cast spells for different purposes like: (1)If you want your ex back. (2) if you always have bad dreams. (3)You want to be promoted in your office. (4)You want women/ men to run after you. (5)If you want a child. (6)[You want to be rich. (7)You want to tie your husband/wife to be yours forever. (8)If you need financial assistance. (9)Herbal care Contact him today on:hoodoo_spelltemple@hotmail.co.uk

Wednesday, January 29, 2014

Junior Poetry Prize, 2014

The theme of this year's Junior Poetry Prize is Movement (sport, dance, moving house, changing places, planets spinning, flexibility, little flutters, enormous earthquakes, the sea, first steps, spinning, a bullet moving, a ballerina, slow steps, quick jumps...).

Any interpretation of the above theme is welcome.  Poems should be twelve lines or more, and each entrant may enter as many poems as they wish. You should e-mail your poem(s) to Ms Smith or hand your poem to your English teacher or Ms Smith no later than Thursday 3rd of April 2014.

Friday, January 24, 2014

Twitterbag 3

Another in the irregular series of round-ups of interesting English links from our recent Twitter stream :-

Wednesday, January 22, 2014

Senior Poetry Prize 2013-14

Entries are invited to our annual Senior Poetry Prize, in memory of Old Columban Peter Dix (above, the sculpture by Joe Sloan which is displayed in the Library). 

This year the themes are Freedom and/or Friendship and/or Family. Entries should contain a portfolio of two to five poems of 40 lines at most, and at least 10 lines. The winning entry will be chosen on the overall standard of the entrant's collection. As usual, the best entries will be posted here.

Poems are to be emailed to Mr Canning by Friday 24th May.

Tuesday, January 21, 2014

Emily Dickinson Archive

There is a new superb poetry resource now on the web, particularly useful for those of us teaching and studying Emily Dickinson for the Leaving Certificate: the Emily Dickinson Archive from Harvard University.

To summarise in the site's own words, this is what you can now do -
  • Browse images of manuscripts of her poems by first line/title, date, or recipient.
  • Use the image tools to zoom in and examine the poet’s handwriting, paper, sewing holes, and other features.
  • Choose the Reading View to see the back of a page, or to turn the pages of one of Dickinson’s manuscript books.
  • Search the full text of six editions of Dickinson’s poems.
  • See how different editors have transcribed Dickinson’s poems over more than 100 years.
  • Explore Emily Dickinson’s Lexicon, and jump from words in her dictionary to the poems to see the word in context. [needs registration at the Lexicon first]
  • Create an account to make notes on an image, save your own transcription of a poem, and create your own edition.

[Update, January 2014]

Another excellent and beautiful resource is the newly-published hardback, Emily Dickinson: The Gorgeous Nothings, edited by Marta Werner and Jen Bervin. This collects and reproduces illustrations of the 'envelope poems' that Dickinson wrote later in her life. As Bervin writes in her introduction, 

'Dickinson's writing materials might best be described as epistolary. Everything she wrote - poems, letters, and drafts, in fascicles, on folios, individual sheets, envelopes, and fragments - was predominantly composed on plain, machine-made stationery ... When Dickinson approached her compositional space to write, she was reading and responding to her materials.'

This is a fascinating book which gives a vivid visual insight into Dickinson's compositions.

English Prizes 2013

Congratulations to the winners of the 2014 English Prizes – Siobhán Brady (senior) and Callum Pery-Knox-Gore (junior). There were large fields in both prizes, of a pleasingly high standard, and the following have been awarded Distinctions for excellent entries:

Sadhbh Sheeran (VI), Brendan Dickerson (VI), Ally Boyd Crotty, Eliza Hancock, Sofia McConnell, Iyobosa Bello-Asemoto, John Clarke (all V), Louvisa Karlsson-Smythe (IV), Phoebe Otway-Norwood (III), Helena Gromotka (II), Nyla Jamieson (II) and Catherine Butt (I).

Thursday, January 16, 2014

Extended Essay: Sutcliff, Steinbeck, Hosseini

For his Transition Year Extended Essay, Andrew Holt wrote about war and conflict in three books: The Eagle of the Ninth by Rosemary Sutcliff, The Moon is Down by John Steinbeck and Khaled Hosseini's The Kite Runner

You can read Andrew's excellent essay about these novels with very different backgrounds via Issuu below. Click once for a close view, once more for the closest, and navigate by using the arrows.

Tuesday, January 14, 2014

Extended Essay: Hemingway, Remarque, Faulks

The second in a series of the best literary Extended Essays written by our Transition Year pupils: Liza Kozhevnikova wrote about war from the point of view of men fighting in it. She looked at Ernest Hemingway's A Farewell to Arms, Erich Maria Remarque's All Quiet on the Western World and Birdsong by Sebastian Faulks.

She writes: "These three books are linked together by a theme, and they also are all set during the First World. I chose my three books so that they will be set in different places and written in different countries, because it gives me a point of view on the war of men from different countries."

Read Liza's full essay here.

Thursday, January 09, 2014

Extended Essay: Salinger, Bryson, Ishiguro

Last term Transition Year pupils completed their major literary Extended Essays. Over the next while some of the best will be appearing here.

First, a fine piece by Harvey McCone. In his introduction, he writes

"I always had a big interest in books when I was younger. In fact I used to read almost a book every week. Many of these books, probably the vast majority, were about children. I was obsessed with books about young boys who were heroes such as The Alex Rider books by Anthony Horowitz and The Young Bond books by Charlie Higson. I wanted to be the characters in these books. I also found it easy to connect with them and to form feelings for them. And I suppose this interest has stayed with me ever since.
As soon as Mr. Girdham described what Never Let Me Go was about to the class, I was instantly hooked. An alternate world where child clones exist is something that I would always want to have read about. I had heard about the book before but I had never known it was about clones! So that was my first choice. Next I had to find a second book. While reading through the list of recommended books, I stumbled across a book that sounded strange. It was The Life and Times of the Thunderbolt Kid by Bill Bryson. When I found it and read the back I was so happy. For some weird reason I am fascinated by everything to do with 50’s America. The cars, the music, the cinemas and theatres, the fast food restaurants and many other aspects of life. So to find a book that was an autobiography of a man’s childhood in 50’s America was also a perfect match.
Then I had to try and find a theme that I could connect these two books with before I chose my third book. This theme was childhood and growing up or coming of age The third book I chose was The Catcher In The Rye. It takes place once again in America in the mid-20th century. It is about a boy who is attending a boarding school. It is interesting because Holden is not a very ‘normal’ boy. His way of thinking is a little different."


Read Harvey's full essay here.

Tuesday, January 07, 2014

Work Portfolio 2013-14

Term started today, and Transition Year pupils start on their Work Portfolio, to be completed by the end of the course, on Thursday 22nd May. Here is the document with the titles and writing prompts. This can also always be accessed under 'Department Documents' to the right.

Friday, December 27, 2013

Books of the Year 2013


In recent years we've been compiling lists of the Books of the Year features in the press and on some blogs. And now here's the one for 2013. This list will be regularly updated throughout December. Some of the lists are specifically for children or young adults, but plenty aren't. Chicken Spaghetti has a comprehensive list specifically of children's literature.
Previous lists are here: 2010, 2011, 2012.


Here is our own selection, with Stephen Grosz's The Examined Life as the Book of the Year.
  • The Guardian: Writers' and Critics' Books of the Year: Roddy Doyle chooses George Saunders's book of short stories Tenth of December, calling it 'spectacularly good', while Richard Ford goes for James Salter's All That Is: "Not in my (admittedly failing) memory have I read a novel that, at its crucialest moment, made me just stand straight up out of my chair and have to walk around the room for several minutes". ('crucialist'?). Best Fiction mentions Rachel Kushner's well-received The Flamethrowers. Best Science Fiction reminds us of the deaths this year of Doris Lessing and Iain Banks. Best Crime and Thrillers starts with Derek B. Miller's quirky Norwegian by Night. There's also Best Sports Books, and Best Poetry (marking of course the 'incalculable loss' of Seamus Heaney). There's also Best Fiction for 8 to 12 year-olds, including Neil Gaiman and Chris Riddell's Fortunately the Milk. Readers Books of the Year is always one of the more interesting lists - here is Part 1. Stephen Curry's blog looks at the 26 books he read this year, starting with John McGahern's superb Memoir.
  • A blizzard of lists and categories from the London Independent: fiction (including Richard House's interesting-looking four-book The Kills), children (including the Basque Bernardo Atxaga's 'totally charming' The Adventures of Shola), comedy, sport, war, politics, music, art, essays, food and more.
  • The Top Ten of the Library Journal has Entwidge Danticat's Claire of the Sea Light ('language that’s lyrical, affecting, and beautifully understated') and the list Best Books 2013 has More of the Best including Jim Crace's Harvest and Kate Atkinson's Life After Life (we couldn't get going with the latter).
  • The Observer's Books of the Year include Careless People, Sarah Churchwell's interesting book on The Great Gatsby and its historical background (chosen by Philip French) and Tessa Hadley's Clever Girl ('so finely worked, like emotional needlepoint', says Rachel Cooke).
  • The Irish Times has lots of lists from writers, including Donal Ryan, author of the outstanding The Spinning Heart, Eimear McBride (the 'creeps-inducing' Magda by Meike Ziervogel, about the wife of Joseph Goebbels) as well as Best Music Books of 2013.
  • Washington Post: Top 10 Books of the Year includes the 9th in the Chief Inspector Armand Gamach series by Louise Penny, How the Light Gets In.
  • From Canada, The Globe and Mail has Best International Fiction (which therefore includes novels from the US such as Donna Tartt's The Goldfinch).
  • The Evening Standard's critics choosing their Books of the Year includes A.N. Wilson (apparently Charles Moore's acclaimed biography of Lady Thatcher has 'good descriptions of her underwear') and Richard Godwin on Emily Berry's debut collection of poems Dear Boy ('there's always a manic precision to her language'). Brian Sewell's Essential Art Books of 2013 is detailed and considered.
  • The Daily Telegraph has several lists: best fiction books of the year (not Man Booker winner The Luminaries, described as 'endless rambling', but certainly Donna Tartt's equally weighty The Goldfinch ; best politics books, including again Charles Moore's impressive Margaret Thatcher: the authorised biography) ; best biographies ; best classical music books ; older children. And here are Martin Chilton's choices of Best Children's Books of the year, and also his Young Adult choice, including Patrick Ness's More Than This.
  • The Christian Science Monitor is more enamoured with The Luminaries ('engrossing') in its selection of 15 best fiction books of 2013, along with Ruth Ozeki's A Tale from the Time Being and Jim Crace's Harvest.
  • The School Library Journal looks at 'Adult Books 4 Teens' and their fiction selection has plenty to interest young adults, including Abigail Tarttelin's Golden Boy.
  • The New York Times has its annual 100 Notable Books (Herman Koch's so-so The Dinner seems lucky to make this list) as well as Best Illustrated Children's Book. There's also Notable Children's Books of 2013. Three critics present their 10 favourites here, including Michiko Kakutani, another to go for George Saunders.
  • BookPage's list of Best Books of 2013 has Donna Tartt's The Goldfinch at number 1.
  • The Huffington Post's staff picks include The Circle by Dave Eggers, 'overlooked this year' but now appearing on several of these lists.
  • The Millions is releasing its 'Year of Reading 2013' gradually, with Claire Messud and Alice McDermott among the first to contribute.
  • Herald Scotland has two parts to its list; Part One includes a recommendation for the 2013 Nobel winner Alice Munro's Dear Life, and Part Two the surprise 'new' hit from 1965, the fine novel Stoner by John Williams.
  • The Chicago Tribune's Best Books of 2013 include Philipp Meyer's The Son; they also have a list of poetry collections.
  • GQ Magazine's literary editor Olivia Cole chooses Jess Walter's latest novel Beautiful Ruins : scroll through the rest of the selection here.
  • Canada's Quill and Quire magazine has Books of the Year for Young People, non-fiction, fiction (such as Lisa Moore's Caught) and more. Top Sci-Fi is here.
  • The reading social network GoodReads has lots of lists in many categories, voted on by its members. To chose one: in Young Adult fiction top of the list is Rainbow Rowell's Eleanor & Park.
  • Slate magazine has staff picks, including The Yonahlosee Riding Camp for Girls by Anton DiSclafani, recommended by Katherine Goldstein ("don't let the fact that this novel is set in a boarding school and features a 15-year-old protagonist fool you into thinking it's for young adults".); 19 Overlooked Books of 2013; Dan Kois, books editor, has a choice of 15, including The Dark, by the stellar combination of Lemony Snicket and Jon Klassen ; and best poetry books of 2013 ('a great year for poetry').
  • The essential and extraordinary Brain Pickings from Maria Popova has several lists, including Best Psychology and Philosophy, Best Biographies, Memoirs and History, Best Art and Design (some gorgeous ones here). And her 13 Best Books of the Year include Letters of Note (excellent material for English teaching here).
  • The Wall Street Journal has a 'cheat sheet' of the ten best books of 2013, including George Saunders again and another regular, Rachel Kushner's The Flamethrowers.
  • Scott Pack's interesting selection has a promising start - Will le Fleming's Central Reservation.
  • The Seattle Times go for 31 of the Best Titles of 2013, including Jo Baker's clever take on Pride and Prejudice, Longbourn, seen from the perspective of the Bennet servants.
  • NPR have a different take on the list format this year, with their 'Concierge' to help make your own selection. One to look out for is Elizabeth Strout's The Burgess Boys, selected by Michel Martin, who calls it 'a gentle but clear-eyed way of thinking'.
  • The excellent Sonofabook blog from CB editions has a very interesting list, full of books that don't get mentioned elsewhere. Andrew Eseimokumo Oki’s Bonfires of the Gods is one of these, recommended by Muna Khogali: "A debut novel by a very talented young Nigerian writer and refreshingly not yet another novel from the diaspora but one of the crop of homegrown Nigerian writers. This is a really raw story of war and love. What elevates it is the superb use of tone and diction. Highly recommended."
  • The Atlantic magazine has an interesting selection called 'The Best Book I Read This Year' from all years, including our own Book of the Year of 2012, Robert Caro's The Passage to Power.
  • USA Today critics' pick of Top Ten Must-Read Books includes some familiar titles. Mark Halperin and John Heilemann's Double Down, on the 2012 US Presidential election is another addictive gossipy read.
  • Part 1 of the New Yorker's Best Books includes Russell Banks's A Permanent Member of the Family - "wonderfully narrated short stories of loss, sorrow, accommodation, and compromise", says Joyce Carol Oates. Part 2 includes David Gilbert's & Sons, recommended by Ruth Frankling for 'sheer reading pleasure' (out here in January).
  • John Self in his Asylum blog presents his choice here, including one of our own favourites, Stephen Grosz's The Examined Life. Chloe Hooper's The Engagement also sounds intriuging.
  • Metro's Best Non-Fiction of the year includes Damien Barr's lovely Maggie and Me and Wave: A Memoir of Life After the Tsunami by Sonali Deraniyagala (also recommended by Teju Cole in the New Yorker - though it sounds emotionally unbearable). And Grosz, of course.
  • The Baltimore Sun has some librarians' choices, including Frank Bidart's latest collection of poems, Metaphysical Dog
  • Darcy Moore's excellent list includes Susan Cain's Quiet (also on ours), and we're particularly looking forward to Tim Winton's Eyrie (not out here for a few months yet).
  • The Huffington Post has 10 Favourite Books - some of the usual suspects, but also Your Fatwa Does Not Apply Here by Karima Bennoune, subtitled 'Untold stories from the fight against Muslim fundamentalism.' 
  • The Providence Journal has a list from their own reviewers
  • Best Books of 2013 from Highbrow Magazine starts with Colum McCann's Transatlantic, calling it 'one of the most beautiful and lyrical novels of the year' (McCann tends to divide readers on just those grounds).
  • The Week aggregates 'votes' from several British newspapers and magazines, with Charles Moore's biography of Margaret Thatcher coming top with 16 votes. 
  • The Austin Chronicle has plenty of interesting recommendations. Kimberley Jones goes for Meg Wolitzer's The Interestings, a 'gorgeous gorge of a novel'. 
  • The Verge has best books for your new Kindle, including Thomas Pynchon's Bleeding Edge.