
Rebecca Feeney-Barry and Emily Plunket, from Transition Year, who were also two of the production's prompters, here review Twelfth Night.
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Tomorrow night, all our Transition Year go to Druid Theatre's fine production of John B.Keane's The Year of the Hiker at the Pavilion Theatre, Dun Laoghaire (we also took last year's TY to it at the Gaiety). Visits to challenging and enjoyable drama productions are part of our TY programme; earlier this term we went to The Importance of Being Earnest at the Abbey, and more visits are planned in the next two terms.
Two recommendations from recent reading, both coincidentally about memory and the ways our minds work. A novel, Remainder by Tom McCarthy, starts : "About the accident itself I can say very little. Almost nothing. It involved something falling from the sky. Technology, Parts, bits. That's it, really: all I can divulge. Not much, I know." The narrator's memory has been wiped out by this mysterious catastrophe, and thereafter the story takes an intriguing, funny and eventually demented turn. Constantly interesting, entertaining and thought-provoking.
ch of W.G.Sebald about this. Again, always absorbing. Much of the best work we receive in our Work Portfolios in the Transition Year is driven by memories of childhood; Dillon writes about our first homes that 'in the furrows and expanses of the house, we uncover for the first time the surfaces on which memory and imagination can be sent in motion, safely sliding from room to room ... to remember such a place is to reconnect with our most solitary sense of ourselves.'
We've added a new link in our Poetry categories in the sidebar on the right to the truly outstanding National Library of Ireland Yeats exhibition. The Library has now created a micro-site on Yeats and has started putting on some of the material from the exhibition, including, for instance, Luca Crispi's video masterclass on 'Sailing to Byzantium', and will be developing the site further. We highly recommend the exhibition itself to all our readers; it is difficult to imagine any poet presented better. There are also excellent free tours conducted by expert guides.
Click here for a selection of over 120 photos of rehearsals and other moments from the recent Twelfth Night production. Then click on 'View Slideshow'.
Above, the huge cast of our production of Twelfth Night, which had its preview last night, and opens tonight in the BSR at 7pm.

Pictured is a general dance practice for the end of Twelfth Night, this year's Senior Play, which is performed this week on Thursday (preview), Friday and Saturday. The production ends with the whole cast dancing to Charles Trenet's 'Hop! Hop!'
Tomorrow is Remembrance Day for victims of war. So, an appropriate time to add a new link to our Poetry section (look down the right sidebar) for Wilfred Owen - the superb Oxford University Wilfred Owen Multimedia Digital Archive. Click on Browse the Archive and you can look through the full manuscripts of the poems. A fascinating and valuable resource.
In a September post, Deirdre Gannon recommended Paul Auster's novel The Music of Chance. Recently, an essay by Auster in the Guardian passionately explained the necessity of writing and the power of fiction :-Fiction, however, exists in a somewhat different realm from the other arts. Its medium is language, and language is something we share with others, that is common to us all. From the moment we learn to talk, we begin to develop a hunger for stories. Those of us who can remember our childhoods will recall how ardently we relished the moment of the bedtime story, when our mother or father would sit down beside us in the semi-dark and read from a book of fairy tales.
Term resumes this morning. Congratulations to Gabriella von Bulow, the VI form artist who has won the poster competition for our Twelfth Night production next week.